Singles stayed in the previous ZZ good-time vein, however, such as “Tube Snake Boogie” and “Party on the Patio”.īy late 1983, with the telling release of Eliminator, ZZ Top had undertaken a complete artistic reinvention both in sound and image. ![]() Eliminator featured a darkly innovative and distinctive synthesizer-laced sound which wove into and augmented the band’s guitar-bass-drums formula, a rarity in the blues-rock genre. Beard also played most songs to a click track, maintaining a metronomic rhythm to synchronize with the electronic instruments. The album’s sound was distinctive in other ways. ![]() To obtain the signature overdriven Eliminator guitar tone, Gibbons devised the “amp cabin”, a collection of guitar amplifiers surrounding a microphone.
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